THE 11TH HOUR

2026, Mixed media on canvas: acrylic, charcoal pencil 20”x20”

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Aerial patterns, desert irrigation, satellite grids, an old atlas, rust-red dirt, deep cavernous canyons seen and felt from the many plane rides I've taken over recent years traveling to/from Utah and Ohio for work and for life. I started drawing circles with a compass that belonged to my grandfather.

I may come to a piece with an idea or a study, but once I start making marks, I follow what I find. This series changed significantly once I started painting - impromptu decisions drove most of it, which is how I tend to work.

This is a series where the darkness, the not-belonging, the black sheep feeling that doesn't have a clean resolution is allowed to exist and breathe. I am obsessed with layers: thin, washy black beneath thick, grease-heavy black. I love playing with what gets buried and what bleeds through.